AP English

We didn’t sit at the back of the classroom, though we were closest to the door. As the classroom was long and lean, we sat at the outer edge. The two girls on my left were new to Hawaii for their senior year of high school. I can’t remember if they were military kids, but that seems most likely. The blonde told us, on the first day, that she was from Texas, and the other girl, whose posture was so upright that she could only have been a ballerina replied shrewdly, “Have you ever noticed that the first thing you learn about people from Texas is that they’re from Texas?” And the blonde laughed and said it was true, and they were close friends in that moment and for the rest of the year.

We had AP English in the afternoon, and our teacher loved to fuck with our nerd tendencies. Our spelling test was a list of definitions and you had to know not just how to spell the answer but remember exactly what the word you were meant to be spelling was. There are, after all, many answers to adj. tireless. Once, when asked to respond to a Steinbeck story, the beautiful boy in front of me, who inexplicably called me “Malone” as though we were in a frat, said, “It gives me this overwhelming feeling that I can only describe as yellow. The landscape, the flowers, the woman, the entire story — just crushingly yellow.” And we all nodded, because he had captured it exactly.

I knew at the time that they were the smartest kids I had ever been in a room with: our valedictorian, and the five kids who were taking all seven of the AP courses available to seniors. Our teacher’s office was on the opposite side of the classroom, behind a partition, and when I had my first meeting with her, she took off the thickest glasses I have ever seen and told me she was grateful that any time I spoke, I prefaced my comments with, “Miss,” so that she knew who was speaking because she couldn’t see anything more than six inches away from her face. Posters of terrible hair bands covered her office walls; she was especially infatuated with Bret Michaels.

Later, in college, I realized that she treated us like we were already done with high school. That first month, she welcomed us all to the English Club, and assured us it was fine to declare ourselves English Club President for the sake of our college applications. That final year in school, I sat on the outer edge of everything. I dropped out of cross country, and didn’t even bother to try out for basketball. All year, I struggled with throat infections that ultimately led to having my tonsils out, missing two weeks of school, and losing 20 lbs. I was in love with a girl in college and the pull was always away, away, away.

Several nights ago, I had a dream about the girl who was best friends with the Texas blonde. I can’t remember either of their names. It’s been more than 24 years since I’ve seen them. I remember she was petite, her hair dark and stylish. She reminded me of Mary Poppins: pretty, bossy, upright, brusque, surprisingly funny. We sat next to each other the night of our graduation. And after the ceremony ended, under the football stadium lights, we were making our way to the giant M sign to meet our families and friends, when she gave me the most determined look. The stadium lights made everything dreamy, and we still had our caps on as we’d been forbidden from tossing them. Her dark hair fell down her shoulders, and beyond her the night held every possibility. We’d made it. We were done, at last. And I watched that look on her face as she suddenly sprang into my arms. Choreographed perfectly as though we had rehearsed it. Her face set, she sprang, and I caught her and lifted her up up up into the lights before slowly lowering her. She had her arms around me and dipped her head to my ear. “Have the most beautiful life,” she said, and then she kissed me.

I never saw her again. Not once until the dream. And I dreamt that moment exactly. I had forgotten that she kissed me. I had forgotten that I set her down and smiled at her, and she’d stepped back into the other Ms and vanished. It had been so dreamy at the time that I wasn’t even certain it was real. Have the most beautiful life. Have the most beautiful life. I wish I could remember her name. I wish I’d replied. And also I wish none of those things. She was so beautiful. So perfect. So light in my arms. Like a dancer.

Hundreds of people poured down from the stadium seats, and draped leis around our necks. Everywhere, the smell of flowers. Crushingly yellow.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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