As she lay dying

The woman who named me Jill Amy is dying. She always said it as a single word. She had this pile of red hair and I grew up thinking her one of the most beautiful women I knew. My grandmother taught me to whistle. And when I was a child, she hit me with switches. Southern as Huck Finn.

She had a bright mind and overcame many of her prejudices. Not the one about gay people. Not the one about me, but I got a text yesterday morning that she loved me more than I knew. And that is probably true, though it makes little difference now. I don’t believe in deathbed confessions. I loved the grandmother I knew as a child. And I love the woman who is dying not knowing much about me. She is human, after all, and there’s untold grace for that. For the fact that we are failing all the time. And those of us wanting better fail a little harder than everyone else. We’re trying, in our striving way, to make something else and that requires fucking up. That requires being wrong.

Staying wrong is another matter.

My grandmother is dying and I’m sorry. Sometimes I will be more than sorry, and sometimes I won’t feel anything. She is no saint, and her love has been conditional. She also told me some of the funniest stories I’ve ever heard. And she is responsible for a fearlessness I have about other people’s opinions. It does all of us a disservice to be sentimental. Whatever she was, she is a person first. A remarkable woman. A woman I have loved.

4 thoughts on “As she lay dying”

  1. I’m moved by the eloquence of this. The tenderness. The sincerity.

    But I don’t agree that being sentimental does anyone a disservice. If anything, I think it’s what tames the rage that would otherwise be ever present in us all.

  2. We might be using the word differently. For me, sentimental is synonymous with maudlin. I think compassion is what keeps us from raging at one another.

  3. I like very much your description of your grandmother and understand your feelings. It is very touching and reminds me of my grandmother and mother. I wish I had been more out and open with them but 40 years ago, life was just different.

  4. Ralph Waldo Emerson would disagree. It would compare to cinders as synonymous with forest fires. One might cause the other, but to think of them as the same is similar to denying yourself the joy of embers for fear of burning down the house.

    As for compassion? It’s highly selective and demonstrative. Whereas sentiment is private, and can be felt at the drop of a handkerchief, the whiff of a familiar fragrance, the sound of rustling leaves, a look, a smile, a tune, a place returned to, and less. We can’t escape sentiment. We can bury it, deny it, avoid it. But it will get us every time, and take us on a journey mapped out by the heart.

    Or, not.

    Just a thought.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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