Brave

I pulled the car into the tiny lot and tried to figure out which building she’d walk out of. She’d called it a carriage house, but carriage houses didn’t look like any of these buildings in my head. I almost felt sorry for her. The long walk to the car knowing I was watching. I’d convinced her to meet me for lunch rather than wait until evening.

Neither of us was interested in more waiting.

She came out in a long pencil skirt with shiny black boots. Her swagger more swaggery than usual with the skirt and the heels and the nerves. Her sunglasses took up half her face. She was looking off to her left. She spent the next half hour like that. Even when I kissed her, she didn’t look at me.

But that was later. The kiss.

Now, she climbs in the car and says, “Don’t be nice to me. I’ve had a terrible morning. It’s all gone sideways and CPS is coming to pick up a kid, and a mother is getting discharged and if you’re nice to me I’ll never stop crying.”

“Would you like to hear some jokes? I tell wretched jokes.”

“Sure.”

To be honest, she was already crying. She’d walked out of the building crying. She just wanted me to know it wasn’t me.

Can I explain to you how those first five minutes with this girl were all the things? That crazy sashay skirt, the boots with the tiniest little heels you’ve ever seen, the giant Jackie O sunglasses. The crying. Who meets you for the first time and demands that you not be nice?

She’s a fucking weirdo. And more than that, she’s my fucking weirdo. A woman with a job that kicks her into pieces and every day she pulls herself together and keeps kicking ass for these women and their kids.

Four years. I’ve been with this woman for four years. My entire life shaped by those first steps to me. The refusal to make eye contact. My terrible jokes.

She told me I’m her guard against cynicism. The way she learned joy. But what has she done for me? I get to be still. Every day I think of the way she needed me to distract her from calamity, from sorrow, so she could rest. For half an hour. With me. That’s all love is, motherfuckers. Be still. Be brave enough to be still. Unless you’re the other half. And then be brave enough to cross the lot. You don’t even have to look at her. You don’t have to stop crying.

Nobody needs fixing. What we need is grace. A good redemption story. A woman crosses a lot prepared to take me exactly as I am.

 

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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