Bravest

“Staff is mad at me,” she says.

“Why?”

“I threw a princess party for my clients. They were all dressed up and we wore sparkly princess things and colored and had a party. My client who’s about to graduate didn’t know how to play with her kid, so I thought we’d have a party to show her. Staff felt like I spoiled them.”

I’ve been thinking about this all week. The courage of a princess party. The attempt to teach a woman in her twenties, who was caretaking the family when she was 5, how to be a child. How to play.

When I think of courage, of course, I think of Harry Potter. Harry who has more in common with Snape than he shares with either Dumbledore or Voldemort. Dumbledore and Voldemort both struggle with ambition. Harry wants none of it. And Snape reined his ambition when he decided to atone. Half bloods. Lost boys. Powerful and bullied. Rowling wrote a story about true heroism. She wrote a story about kindness. About the recognition of humanity. About the fact that seeing the small, delicate potential of those around us, whether or not we like them, is the best hope that we have to flourish. There is no bravery like mercy.

Or princess parties. What could be more important than giving a mother the skills to play with her children? What better to teach her than joy? Doesn’t the world need a little more glitter and glow? More rooms filled with celebration.

Our job is not to be competent, but to strive toward error. Toward getting it wrong and eventually improving. What is bravest about us is the way we lift one another. Last week, my wife taught a roomful of women to play. They came dressed as princesses. They made bracelets. They ate cake.

I swear to you, the world is already happier. I swear to you. What will save us is kindness. Delight, my friends. Delight and color some shit. Play is practice for living more bravely.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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