Chores

My first chore, after cleaning my room, which doesn’t really count as I was the only beneficiary, was mowing the lawn. We had a push-mower. And the first time I mowed, I took precisely an hour and a half, with three breaks for beverages, and a short session of stretching. I had two blisters. I was ten. It was, frankly, completely fucking awesome. And it coincided with a raise in my allowance from $5 every other week to $5 every Friday. That was practically a fortune. I would be independent in no time.

Possibly that was the last time I enjoyed mowing the lawn.

Yesterday afternoon, Gavin asked me if I was poor.

“Why are you asking?”

“A kid at school asked me if you were.”

“And what did you say?”

“I didn’t really know an answer, so I just went on with what I was doing.”

“What does poor mean?” I asked.

“It means when you have a little bit less money.”

“No, poor means not having enough money to get what you need. Like food. Or clothes. Or shoes. Or medicine. We have everything we need, and stuff we just want. We aren’t poor.”

“He didn’t ask if we were poor. He asked if you were.”

Why did this conversation upset me? It did. I was upset for twenty minutes afterward. Really, class? We’re slamming into class in first grade? But I must have been kidding myself. Of course we’re slamming into class in first grade. Class is everywhere; we rarely have discussions that don’t include class. Where we eat, how we dress, where we shop, how we prepare our food. Where we live. Whether we water our lawns. Whether we have lawns. Whether we own multiple vehicles. Whether we buy new clothes, new furniture, new new new. Whether local means anything to us. Whether we support businesses where employees don’t get health coverage. How we define poverty. How we define education. How we define work.

I don’t know why some little kid asked if I’m poor. Maybe his mom is poor. Maybe he worries all moms are poor. Maybe he was trying to figure out what poor means. Either way, it’s an important conversation to have with G. I work to have what I need. I work so my family has what they need. I work because I love it. I work because I have the opportunity to work. I don’t do anything I don’t enjoy. I don’t work for anyone I don’t respect. I’m lucky, and independent, and grateful.

4 thoughts on “Chores”

  1. “I work because I love it. I work because I have the opportunity to work. I don’t do anything I don’t enjoy. I don’t work for anyone I don’t respect. ”

    These statements (to me) prove that your worth and wealth come from something that has nothing to do with money. And yes. You are lucky. So is your son.

  2. ….and as I think about this more (as someone in a similar situation as you- divorced, shared custody, ex-husband with a higher income than mine) I realize that maybe that kid was basing his observation on the simplest of things: the car you drive in comparison to your son’s father’s car or his parents’ car. The clothes that you wear in comparison to his mother’s. A lack of makeup and designer handbags/shoes/clothing… Maybe that kid lives in a world where fashionable material things define a person, and you threw a curve ball at him..? I get judged based on that stuff all the time. I have no desire to wear high heels or heavy make up to my sons’ schools and often, I feel like an odd ball.

  3. It’s funny, Tina, the mothers at G’s school all wear yoga outfits. They seem to be in yoga outfits when they drop the kids off and yoga outfits when they pick the kids up, as though they spend the school day stretching. I’ve realized the question was about the kid asking, and not about me, but it’s amazing how it broke my brain open. I read this report years ago that said kids generally have no idea whether or not their parents have happy sexual lives, but always know whether or not their parents have financial stresses. These days, I imagine that is even more true. We talk jobs everywhere now. Class is the subject at hand. Even when you’re six.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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