Crank shaft

This week, I’ve been so angry at the world that it has been difficult to write sentences. I wish I didn’t love this world so much, sometimes. I wish it were easier to give you up, world. You are the worst relationship I’ve ever had.

I choose Pluto, man. It’s even more appealing because it’s far off, and tiny.

I’ve been reading a 650-page biography of Jane Goodall. She had a lot of good luck, and weathered a tremendous amount of sexual harassment — particularly by her mentors — and she talks about both her luck and her difficulties with such delight. She talks about the facts of them. They were just things that happened. She was lucky. She struggled. She worked hard. And she has never reconciled herself to her own charisma.

How is this relevant? It’s relevant because my trouble is focus. If I’m willing to see the ways we fail as humans, I most certainly will find ample evidence of failure. If I want to hate my neighbor, I can develop some reasons to do it. But why would I want to hate my neighbor? How is that different from hating myself?

Today, walking to work, the wind lashed in a spiral around me, and I was two streets away when I saw four people rush to an elderly man who’d fallen in the street. And then six men came running out of an office building and two women with a dog sprinted around the corner. A woman knelt beside him, her hand on his shoulder, talking to him. Another man called for assistance. There was so much love. It seemed to come from every direction.

The old man was on his knees like a supplicant. And I felt like that too, like a supplicant, blocks away from the drama, and somehow inside and outside it. Like those dreams where you’re a balloon, hovering over yourself. A thought-bubble of perspective for your own life.

Please. Please. Don’t keep kicking me in the heart, world. I’m so tired of loving you. I’m so tired of the kelly green on the yard in March, the chime of the bell in the spiral wind, the way the cyclists race up and down the street as though they can outpace you. I’m so tired of your terrible beauty. See? Even I don’t believe me anymore.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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