Fly your freak flag

A buddy of mine said she doesn’t go to Pride. “I’m a lesbian. I’m out. I get it. I just don’t see the need to put rainbows on everything. I mean, straight people don’t have parades.”

Don’t they? Every day is straight pride day, isn’t it? Straight people don’t have to come out as straight. They don’t have to petition for marriage rights. They don’t have to petition for partner benefits. They don’t have to worry about access to their partner in the hospital. Parental rights. Gender rights. The right to go to school and not be harassed. Nobody’s getting their ass kicked for being straight. The oppressed classes should absolutely celebrate their solidarity. We have to work to be recognized, we have to work to have rights, we have to work for safe communities and civil liberties, and we work as a community and when we come together to celebrate we throw a fucking parade.

It’s as important as shopping at your local bookstore and buying produce from local growers. It’s the whole point of BEING local. This is your community. We are all in this together—this life. There is no such thing as too much love and community. If you want Pride to grow and thrive, then you come and march or cheer and help it grow and thrive. This is your community. Support it.

3 thoughts on “Fly your freak flag”

  1. You know something? Too often I think like your friend. And I certainly have become even more complacent living here in Scandinavia, where no one gives a crap what kind of consenting adult you sleep with.

    But you’re right. You’re absolutely right. And why have I never thought of Pride as a celebration of what we’ve worked for?

  2. Maybe you started with pride? I had to work for mine, crush out years of shame, and that’s how I realized pride was a celebration for the work. This year, in Spokane, there were so many kids—probably half of the 6000 people who showed were under 21. It was fucking amazing. They’re out there with their radical liberated selves. It’s incredible.

  3. When I realized I was gay, I was more traumatized by the fact that I was in love with a girl I couldn’t have. The gay started as a secondary thing, and it sort of always has been.

    That’s not to say that I don’t fight those demons, too, sometimes. But less, now. And those kids… the world is going to be a very different scene in twenty years. It’s all worthy of celebration.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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