For the incorrigibly enthusiastic

This weekend, I had the opportunity to speak at the Pacific Northwest Booksellers Association tradeshow in Portland. The last time I was at the PNBA tradeshow, I attended as a bookseller. I told the crowd how it had felt to shelve books in the bookstore before it opened, the heft and the covers. How there was magic in each one. I had expected that to be the best part — the books themselves. But the best part was confronting the unabashed enthusiasm of my coworkers and our customers. They would grab you and demand that you read this book. This one. This marvelous one that changed their lives.

“But that’s some kind of cheese-monkey topic that I’m just not into,” I’d protest.

“But it’s so HUMAN!” they’d say. “You’ll love it because it’s human and beautiful.”

This is what I love: when I worked in a bookstore, I learned to read books that I didn’t expect to love. Books that didn’t sound as though they’d appeal to me in the least. Books that I experienced reluctantly, at first, and then found myself worked over because the stories are human and beautiful.

I can count on stories to surprise me and tell me the truth. Often that truth is eviscerating. Because it is human. I loved you too much to form words and so you didn’t know. You didn’t recognize the shapes I’d have drawn for you. The pathway I’d have cobbled together. I meant to draw a room, a house, a planet, and we could live there. But then I was frightened.

I meant to tell you.

When I was a child I met pirates. I admired them. For a time.

On a planet without sunlight, I climbed from my hole and dreamed of orange.

At the door, she set her bag down and scooped up the small, frightened dog, murmuring assurances. Home. Home.

Once a girl read the story of a god and it broke her heart. In this story, there was no tenderness. Later, she had a child, and lifted that child high, higher. This grasping wail for more.

I smoothed the surface of the paper, the lines to guide me, and wrote you a letter. I promised things. None of that matters as much as what I meant to say. The pencil marks smudged by my left hand.

All I have to give you are stories. They are the way that I understand what is inside me. What is inside you. How we might set out for China. The way we sing at night, in the dark outside the house, as though to let the forest know that we live here, too.

The wild in us needs telling. Telling telling. The wild in us needs telling. A spell to make us free.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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