Get over it

She’s a preteen when her father tells her women just need to get over rape. Shit happens to all of us. Only the weak bitch and moan. It’s an argument she internalizes. She thinks of victims as, well, victims. Buck up, camper.

I’m eating breakfast when my dad goes off about Mike Tyson. About the harpy who cried rape just because he’s rich and famous. I get in a fight with my friend later when I repeat his argument verbatim. Years later, I read how Tyson raped the teenaged daughter of his cornerman. Harpy, huh?

And now I will tell you the brutal thing. We do so much damage to our own cause by siding with them. With men who think rape only happens because we’ve done something wrong. That it can’t be prevented. But it can be encouraged. Why’d we walk home alone at night? Why’d we get in a car with that guy? Why were we 5, and sleeping in our beds as though the world weren’t teeming with predators?

We blame victims because if they are “other” then they are not us. We’d be smarter. More careful. We’d drink less. We’d never be around dangerous men. Why do we expect women to be smarter and more cautious? Why don’t we expect men to stop raping? Tell me.

3 thoughts on “Get over it”

  1. I wish I knew. I was recently in an argument with a mother of three boys and one girl who thought I was being completely over the top when I suggested that she should devote as much time to teaching her boys how not to rape as she did teaching her daughter how to not be raped. Now, I am fully aware that men can get raped, by women as well as other men, but the fact remains that rape is a crime against women perpetrated by men the vast majority of the time. Why is it outrageous to educate our sons? Why shouldn’t we teach them more than “no means no” but to get a resounding yes? It is a part of our culture that I do not understand.

  2. I don’t understand either. We’re all safer with boundaries. If you don’t get enthusiastic consent, then the answer is no. Don’t tell me women are too complex to figure out. I’ve been dating them since I was 15. Enthusiastic consent, or nothing.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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