Grief

The last year we lived in Missouri, I was a fourth grader, and my father had taken over the division chapel where the basic trainees came every Sunday by the hundreds (if they went to a church service, they didn’t have to participate in drills). What I remember most from that year, was a family that moved in down the street from us, and discovered, in a heavy trunk in their garage, the body of their four-year-old son, who had climbed into the trunk with three newborn kittens and suffocated. My father performed the funeral. He cried when he told us.

It was called a family tragedy, as though it could be contained by that single group of people.

In January of the following year, the space shuttle Challenger exploded. Someone came to the door of our classroom, and Ms. Moos, our teacher, announced the news in a trembling voice. We watched the shuttle explode again and again that afternoon. The teachers consoling one another, while we sat at our desks, awestruck. Alive and then not. Momentum and then pieces. I had just turned eleven and was startled to discover that it could all be over so quickly. Blinked out. That’s what could happen. 

It was connected, the boy in the trunk and the astronauts in the shuttle. The horror of it. The senselessness. And I was too young to know there is never sense in it. Never reason, though later someone might offer explanations. That is how tragedy binds us, how we are drawn together by the weight of what we cannot set down. 

5 thoughts on “Grief”

  1. You could have given a hundred other titles to this post, but that’s the one you chose. Not Tragedy. Not Helplessness. But Grief.

    Perhaps because grief is not subjective? There are degrees; there different manifestations. But the emotion that meets loss is always grief. And I find it, sometimes, to be a selfish response. A need for perfection.

    Is grief the weight we cannot set down?

    My mother died January 22nd, fourteen years ago. I haven’t thought about it much today. It’s just a day, anymore. And yet, grief is the way that I still say “I love you.” Grief the road to not forgetting. It’s is a lonely way to love.

  2. Wow. You’ve said that beautifully. I think grief is the weight we can’t set down, the crushing thing that we must go on bearing. I’d never articulated to myself that it might be a need for perfection, but that’s an aspect too, isn’t it? An ache for what wasn’t.

  3. I am so moved to come across these posts. Grief is the form my relationship with my mother takes now that she has, like yours, Shelly, been dead for years. Strangely and synchronistically, tomorrow is the seventh anniversary of her death.

    We do grieve for both what was and what we wished for but never came to be. I grieve for the mother I won’t grow old beside.

    All good things to you both.

  4. Thank you for sharing that. Grief has a future tense as well as a past and present tense. I think that has a part in why we continue to shoulder it.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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