Home before dark

When Mike Stock told us about the orange clay pools, we called bullshit because Mike Stock lied as habitually as the rest of us chewed gum.

“I’ll show you!” he kept saying.

And so a pack of us entered the woods that morning, behind the military housing at Fort Leonard Wood. The forest was quiet, with creeks, tree frogs, and small turtles. The summer after second grade, and my younger cousins were visiting for the first time.

We walked for hours, sated by the prospect of Mike having to own his lies. Adam still lived across the street then. We’d brought his little brother along, and my small cousin. They were both four, and neither complained. Not even as the forest climbed up and up.

We never worried about snakes here in the woods, though we saw them often enough in fields to the west. Mike and I found burned up garters on the ledge between our carport and our front door. They’d slept too long in the Missouri sun. Two summers later, we’d nearly step on a rattler in a field to the west. He’d grab me around the waist and run us back to our dirt bikes. I loved Mike like a brother. More than a brother. My brother was an asshole, and the only kid who complained as we climbed upward, clinging to trees to keep from losing ground. Nobody had thought to bring snacks.

At the top of the hill, the forest ended abruptly, and we saw orange clay pools in every direction. They were large enough to soak in, and we did. Throwing off our socks and shoes, and submerging in the warm water. We were orange as fuck. Clay in our hair, our nails, our mouths. We’d burn as the afternoon wore on.

Walking home came more quickly, though the small kids had had enough, and we took turns carrying some of them. A perfect day. We all congratulated Mike on being honest about a thing. Finally. At last.

Even as we walked home, we couldn’t believe our fortune. An entire landscape of clay pools. Next time, we’d bring lunch, and Capri Sun. Adam said we needed Otter Pops and his mom had some. That cheered us for the final hour of our walk.

The street lights hadn’t yet come on when we walked up the short hill to Adam’s backyard. His mom didn’t even greet him. She told him to go inside, take off his clothes, and wait for his father. She said he never should have taken his brother.

The rest of us stood there, watching Adam and his brother follow their mother inside, without a glance backward. No Otter Pops?

“Why’s he gotta take off his clothes?” my brother asked.

Who knew? Maybe she objected to the clay. We still hadn’t noticed the feel of the neighborhood. The panic. We walked through the alley between houses, and onto Gridley Loop. A bunch of parents were standing together on the street, which was odd. They turned as a group and started hollering at us. They went on and on. How reckless we’d been to drag tiny kids who knew where. How dangerous to vanish without a word to anyone. How could we have been gone all day? All day! Without permission!

When had we ever needed permission to walk? The summer days were ours until the streetlights came on. That was the agreement. And usually we were hollered at for leaving our tiny cousin behind, not for bringing her along. It was unjust. I said as much for all the good it did me. I can’t remember if we were punished. All I remember now is the marvelous day. The forest giving way to magic, as though we’d earned it with our labor. We’d walked ourselves toward magic. That’s what it felt like. The spell undone by returning home to angry, irrational adults who’d changed the rules on us.

We never went to the clay pools again. We’d been forbidden to go, even if we left the younger kids behind. Mostly we rode our bikes round and round Gridley Loop, watching for snakes, or played kickball in the street. Adam’s family moved away. Two different kids named Chip moved into the neighborhood with their sisters.

Mike and I were on our bikes together the day his dad ran up to us, crying, and said the family that was moving in next door had spent the afternoon looking for their youngest son. They’d finally found him in a heavy trunk, with a litter of kittens. They’d all suffocated; the child was four. It was their second day on the base in Missouri.

My dad was crying later when he told us about it, too. He’d only just met the parents to discuss their child’s funeral. I thought of my little cousin, that day in the woods. How we’d taken her without a thought.

Missouri. Magic and grief. Snakes and dirt bikes, and Mike Stock beside me. In our canvas Nikes. Riding like we could get somewhere.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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