I can see more from out here

I thought girls actually used pencils to darken lines beneath their eyes. The same pencils we used to take bubble tests. That seemed so brave to me. Like something a pirate would do. Lined up in the hallway, waiting to march out to the playground, I could see them leaned over sinks, drawing emphasis.

Girl 101. I studied it from the outside. Girls with their hair products, their Keds, their bangles. When Jimmy Stewart told Katharine Hepburn she was lit from within, I nodded. They all are. Every one of them. Shocking as a lighthouse though a moment before I had been alone at sea with the stars overhead.

My wife has potion bottles on every surface of our house. She’ll swab her skin and then press her wrist to my face. “Do you like this one?” And suddenly she smells like winter solstice. I can feel the snow beneath my boots and then, all at once, evergreens. Or she’ll lean down to kiss me before she leaves for work, and everywhere there is sandalwood.

“Why do you always take my photo before I have makeup on?” she’ll ask.

Because I can’t tell.

Because you are a lantern to me in every condition.

Not alien, exactly, but as an apprentice. That’s how I approached women. As a kind of nautical chart to set a course. A path of wonder.

Skin like cream.

I wish I had seen my wife pregnant. Not in the photos but in fact. I wish I’d eaten waffles with her after her labor. I can imagine it. The young hippie woman with her plate of waffles.

On Sunday, the 20th, she will be my longest marriage. Though we are only getting started. What is six years but a beginning? We’re still somewhere in the Pacific, getting a handle on the currents, on the rigging.

I woke once, with an idea of her, just an idea — a sketch really. A woman in outline, sitting at a small, round table, with coffee before her. One leg crossed over the other, and an arm raised toward me in greeting. A homecoming. The way she pulled me into her so that I couldn’t keep to the periphery. Safe from any collision. Safe from the bold fact of her. This inevitable woman. How she has drawn me over the decades. A line between us of story, and nets, and cities, and rivers. Of wild flowers and starlight. Of a cold room with deer just across the window pane. The dogs wakeful. The day so nearly broken. And I am awash with light from the woman beside me. It spills out of her, and cuts me. Look how I’m dashed with it. Glowing from my injuries.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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