I wrote this love letter to the way we'll be

She showed us her gorgeous wedding dress, and she and Mary got rapturous about tulle. (I’m quite pleased to say that I know what tulle is when I’m looking at it, although I have no idea what it is when you’re casually telling me you have a dress made with tulle in your closet at home.) Soon afterward, she reads us her vows. And this is what I want to tell you about writing someone’s wedding: you find yourself, more than anything else, mulling over what marriage means. Why do people do it? Why do we get married? What is it that marriage does?

Marriage doesn’t start and end at love. Plenty of people are in love and will never marry. Not only because the state or country where they live has decided they aren’t allowed to marry, but simply because they have no intention of it. Ever. Not even for piles of candy. And there’s nothing wrong with that. I didn’t believe in marriage until I met Mary. It always seemed like Disney princess bullshit to me. Why? Why would you stand up in front of a bunch of people and promise anything?

I understand now why we do it. Why it’s vital. I understand that our communities are bound together with goodwill and marriage is central to that understanding. Families have infinite shapes, and marriage means different things to each of us, but it nevertheless comes with responsibilities and our desire to marry is a demonstration of our willingness to take on those responsibilities, and, in some cases, the civic rights associated with marriage.

But it’s something else, too. It’s a love letter you write to the self you were when you met, and the self you are now, speaking your vows, and the self you’ll be when one of you is ill, when one of you is struggling, when one of you has lost her fucking mind. It’s a love letter to all the evolutions of your relationship, and there needs to be space for the ways you’ll grow and the ways you’ll fail and the ways you’ll triumph. There has to be space in your marriage for human failure. You have to love the parts of your relationship where you struggle as much as you love the rest of it. Maybe you have to love the struggle more. The way you love harder when your heart aches because you’re so much more aware of it. There. My heart. Goddamn that fucking hurts.

We marry because we have so little time. It all slips away so quickly that one day your kid has a pimple and your first thought is, But I was just carrying you in a backpack. We marry because we are joyous creatures. Celebratory. We marry because we believe, standing there with our beloved, that our pleasure must be shared. It’s communal and infectious and we have this giant cake for all of us. We’ll enjoy our lives more, you know, laughing together.

2 thoughts on “I wrote this love letter to the way we'll be”

  1. Patricia Gayle Gottberg

    This is exactly how I feel…..I never thought of marriage until my current girlfriend Tiffany McGee….I knew when I met her 20 years ago in the Army when we went AWOL together that she was the one I was suppose to be with…she didn’t know then…but damn she knows it now!!! I love this woman with all my heart and want to marry her asap!!!! You are an inspiration…thank you!!!

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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