In my youth I was younger

I think compulsively about Susan Sontag. The way I think about Joan Didion. And when Sontag was ill, I read her criticism, and criticism about her. Nearly every article about her casually mentioned that she’d taken flak for changing her position on certain issues. Critics mentioned it as though it were an intellectual failing. As though she’d hurried heedlessly and gotten stuck in positions she had to come back from. If she’d been more rigorous, more cautious, she wouldn’t have had to backtrack, would she?

Um. What?

I hope we’re rethinking our positions on the daily. I hope we are. That’s what thoughtful living requires. Experience alone will render some of the conviction of our youth false as we age. For one thing, we learn to be wary of conviction itself. Of certainty. The world has so many shades of grey. And so do our brains. We redevelop the skills of compassion that we had as children. Understand that it’s better to comfort a kid who’s crying than claim the ball he dropped when he fell. It’s better to cooperate. We’ll enjoy our meals more if we’re eating together.

In his memoir, Roger Ebert argues that the person we are when we’re young is the essential person. The one we always are. But I believe in grace, and I know that we learn by spectacular failure. We learn by fucking shit up. By injury and destruction. By ineptitude. By compromised courage. We learn by striving. I wanted to find myself down thought-alleyways where my theories didn’t hold. I wanted to find myself in arguments where I had no thought of winning and only wanted you to demonstrate to me that my thinking can’t hold. It can’t hold. It won’t support more than a handful of circumstances.

I’m not finished. I’m not done learning. I’m not done getting it wrong. Making messes. Backtracking. I’m not done. We need each other to work through our lives. We see with more compassion when we have more perspectives to consider. To love harder. To have grace for failure.

Question everything. Interrogate yourself. These choices you’re making, are they the ones you want to define you? And for how long? For how long do you want these choices to define you? I don’t know if I know better now. I don’t know if it works that way. My faith when I was younger was about my soul. And so in that sense, not much has changed. You grow when you’re nourished.

Maybe Ebert meant the essential person will be there when you’re fucking up just like it’s there in your triumph. You’re all these people. That’s what grace is, brother. You have only begun to understand what you’re capable of.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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