It only hurts when I breathe

How do we recover, do you think? Do we recover by writing? By telling our story? Do we recover from the slow, steady work of tackling it, and sitting beside it, and swimming with it? Do we take it to pieces and scatter the pieces? Do we take the pieces and build something new?

What do I mean by “it” anyway? Am I talking trauma or experience or recovery? Am I talking about being human? About being alive? It only hurts when we’re breathing. It only hurts because we’re alive.

Is my heart more efficient because it has been with me for so long? We develop a shortcut to our compassion, don’t we? A quicker path to tenderness. My tenderness for children is a tenderness for my own son, but it’s also a tenderness for vulnerability, for youth, for how much struggle is yet to come. For the processes of learning and unlearning and fucking up and starting over. For newness, yes, but also for wisdom.

I have been so angry and I see that the only way through is love. I see that. That’s my only path back, and I have to remember to stop and rest. I have to remember not to hurry. This is all we get. This marvelous, weary world. Eventually, even our aches become familiar. I couldn’t love you if I forgot that it’s work, sometimes, to love. That it’s a verb. An avocation. I show up, every day, to love you. I rest, every day, because I can’t do my best work without quiet. Without focus. Without knowing that I am as likely to be right as I am to be wrong and either way, I am learning.

What I am talking about, I think, is patience. We have to sit and listen. Me, especially. I have to sit and listen. I have to think. I have to stop chattering. Stop running. Be still and let it hurt where it hurts and let it love where it loves and be grateful for the way my car climbs hills and the way my wife answers the phone and the way my kid writes spontaneous notes on the back of restaurant receipts. What’s my hurry? Why do I have to know things? It’s enough, surely, just to feel.

2 thoughts on “It only hurts when I breathe”

  1. healing is the most important process there is. for me, it was important to do all those things you said – write, read, speak, think, sit with, examine, understand and defend my suffering. to know what happened to me was not not not okay – and to be okay with its not-okay-ness, and yet, acknowledge it happened, acknowledge it happened, and try to integrate it into my life.

    an herbalist told me once that there are four aspects to any healing process: mind, body, spirit, and ritual. the injury happened on a mind body spirit level, so those levels must be addressed. but the ritual aspect communicates to the psyche the layers which are being unpeeled, and healed. the ritual communicates to the unconscious that a change is happening – it may be only called upon, and not enacted yet, but the ground is moving.

    I’m glad you are sitting in silence and listening, trying to stop the chatter that fills the days. this is sacred work. our world needs it. you bless yourself and the world with it.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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