Just desserts

Who deserves redemption? How can we talk about anyone not deserving redemption? What an asshole concept. That’s like saying there are people who don’t deserve love. Or grace. Or happiness.

You. Yeah, you in the stripes. Fellow, you deserve abject misery. And no high fives, man. You don’t even deserve condolence high fives. You’re grim, dude. You deserve no good things. Because I determine that shit, man. Who gets what. That’s my thing.

Mary loves Johnny Cash. She loves redemption stories. It’s funny to me that she loves that one because she’s constantly telling her clients they are not responsible for saving anyone. Or fixing anyone. Or redeeming anyone. They’re responsible for staying clean, and for being present and nurturing parents. It is not your job to save anyone, fellow humans. Being a fixer is bad news. Control all dressed up in work clothes is still control.

Could Johnny Cash have found redemption without June Carter?Love is a powerful motivator. Love is the biggest engine. But she didn’t save him. She just made redemption desirable.

Mary loves Johnny Cash the way she loves her brother. She loves him for the same reason she loves her job. She believes in redemption. She believes people can change. That they can get clean and stay clean. That they can be good. She believes that shit, man, she believes in goodness.

Do you know what that’s like? To talk to someone who believes in goodness. It’s phenomenal. She encourages me, but she didn’t save me. I want to be clear about that. I saved myself. I stood there in the middle of my life and thought, I don’t want this. I want to be different. I want to be better. I can do it. And then I changed my life. And I looked for her because I was ready. I was ready to be good. To be the person I wanted to be.

I could see that person clearly. And I refused to let anything get in my way of being brave and good. I redeemed myself, man. Because I wanted to be different. Not perfect. Perfect is boring. Perfect people are boring. I still fuck up all the time. I make messes that are familiar and tedious. I think, This again, seriously? But that’s how it is. It’s messy. Being alive is messy. We all deserve redemption. We all deserve better. All we have to do is want it.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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