Make. Believe.

You’re in love, and you feel that you’ve never been in love before. Not really. Not like this. Not without that insistent, disgruntled voice whispering objections. You find yourself, sometimes, inventing a past for the two of you. The way she walked down the hall, past all the lockers, with books tucked tightly against her chest and her hair halfway obscuring her face. The way she would dip her head when she spoke to you. The way making her blush felt like triumph.

Or, the survey course in college, where you were always borrowing paper from her. The way you would ask, after she was settled, just for the pleasure of watching her tuck her hair behind her ear and rifle through her bag. The way she thought with her pen pressed against her lips. You see all this.

Like the time you walked her to her car in the rain. Her small face looking up at you. Her features more severe in her twenties, not yet softened with kindness and mothering. The you, though, that’s what’s most different. Your recollection is always present you, dating past her, so that you don’t have all these years of estrangement, or the small vault of selfishness where you’ve tucked the you that was, to be pulled out occasionally, and checked for size. This doesn’t fit, anymore, right? I’ve outgrown it for all time, haven’t I?

I sent her an email a year ago today. Just an email. It seems like such a small gesture to change my life. But that’s the point, isn’t it? We deserve the life we can imagine. The life we are willing to create.

3 thoughts on “Make. Believe.”

  1. “We deserve the life we can imagine. The life we are willing to create.” Yes indeed my friend, I’m so proud of you for sending the email. I remember watching the bloomies with you while we were sitting next to the river talking about this red headed lady that you were so curious about. What a beautiful year you’ve had.

  2. You know what I think about most? The night you and Melissa took me to El Que and asked me which of my relationships was safe. Man. That one question made so much possible.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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