Marriage Project, Day 17

I didn’t know marriage was an exclusive country club when I got married the first time. It’s absurd now to think of the benefits we inherited for ten minutes in a judge’s chambers. (I didn’t even write my own vows. We were like automatons.) I am grateful for people who have approached marriage with more awareness, especially those who have decided to forgo their privilege until it’s a right shared by all. Meet my guest for today’s Marriage Project:

Growing up queer, I didn’t believe in marriage equality. I couldn’t believe in it because it didn’t apply to me. Marriage was something that belonged to a mainstream that I wasn’t a part of and never would be. As such, it wasn’t something I ever had to think about. It also wasn’t something I wanted.

Six years ago, everything I had considered on the topic was suddenly brought into question. I started and finished my transition from what society identified as female to male, I met a women who I loved, and became co-parent to a little superhero. The combination of my gender shift and the presence of a loving long-term relationship forced me into a scenario I could have never imagined – marriage was suddenly a possibility that was within my reach. At that moment, I realized that I had never wanted to get married
because I couldn’t. Because lusting after one more thing that society denied me for my identity would have only been handing them another way to hurt me.

Only when I could have marriage did I have a decision to make.

The irony in my situation was immutable – through loopholes, trans men and women had been allowed by heterosexual appearance to marry for years. While my identity was still equally hated and feared, I could be granted access to the Great Heterosexual Ritual (should I be willing to remain stealth) because my partner and I could look straight. Yes, somehow my appearance alone made me more equal than my friends, family, and loved ones.

Ultimately, I decided not to cross the picket line. Marriage was not something I could personally consider until everyone I know and love could consider it. I was raised on the backs of proud and strong queers both of my knowing and of our mutual history. I could not disrespect them by turning against them. I wouldn’t.

Marriage equality is marching slowly forward. Some members of my queer family, friends, and loved ones are now legally married to their partners, still others are denied. No pair of them loves each other more or less than the others. No pair of them deserves greater or fewer rights than the others. Any difference between them is man-made philosophy in their state of residency.

I support marriage equality because I have a choice to and I believe everyone deserves that choice. I support marriage equality because if a government is going to recognize love and give it benefits, such benefits should not be reliant on the type or quantity of sexual intercourse people partake in, or abstain from. It should not be based on heterosexual ideal or a bible no two people can agree on. Just as a man would not be prevented from marrying a woman he loves because penile cancer took his penis, no woman should be prevented from marrying a woman she loves because she was born without a penis altogether. The absence or presence of appendages, sanctioned sexual orientation, or personal identity does not change the depth, value, and commitment of a love between two people.

Alexander Jaide
Grand Rapids, MI

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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