Marriage Project, Day 21

Have you noticed one of the themes of this project: altruism. The fact that people who aren’t necessarily interested in marrying are psyched about the opportunity of marriage for those around them. Meet my guest for today’s Marriage Project:

My family collects pairs of marriages like cards. My sister has had two (played one, holding one). My stepsister had two (played them both). And my dad two (one played, one holding). My mom folded her hand after being dealt one bad marriage. And the other sister went all in but hers ended in death, not divorce. Me? I’m a spectator, no playing.

Never in my life did I dream about or consider getting married. The white dresses, the flowers, the dry cake and crappy champagne, this was the stuff of my friends and sisters. Always the bridesmaid was I, in my sweat-stained pastel taffeta and stiff toile. Weddings taxed me, made me tired, gave me anxiety over having to make small talk and couples dance. Weddings were things other people did; they were things other people had done to them. And the rate at which people collected them baffled me.

When I came out in my thirties, I realized my aversion to marriage was part nurture, part nature. On the one hand, I had been nurtured to equate marriage with failure. On the other hand, gay people couldn’t get married by the nature of their relationship. And, my whole paradigm had been off: I was looking at it through fake-it-til-you-make-it eyes. Now, as an out gay person, marriage was out of my grasp whether or not I wanted one. Relief. I didn’t have to explain myself anymore. I’m just gay not weird.

So it seems strange the idea of marriage equality has ignited an activist flame in me that hasn’t been lit in years. Watching my state legislators vote to affirm gays and lesbians of our right to marry, I found myself choking back tears, getting goosebumps, and fervently live blogging on Facebook as the vote went down. There I was, sitting alone in front of my laptop, saying over and over, “hot damn, hot damn.” I could not find words big enough. Heart racing, skin tingling. It is happening in my state. My state!

I think about one of my best friends, who last year was only “embracing the concept” of having a girlfriend. She now talks excitedly about her lover as being her “person” and how they are going to get married in every state where it’s legal. I think about friends who have been together for decades, friends who raise children together, friends who have just found each other, friends who want a family. And all of the untold, unknown stories across the state of commitment, love, and sacrifice. Suddenly, I want this for them. Her and her, him and him, and them, all of them.

Do I want it for me? This is a question I thought I had answered and that now hangs precipitously unanswered. Hopefully soon, we will all have that choice in Washington.

Cat Carrel
Spokane, WA

1 thought on “Marriage Project, Day 21”

  1. Great writing. Love the analogy to playing cards. Even though I think marriage is basically a good thing, I’ve always had similar reaction to yours about weddings: “Weddings were things other people did; they were things other people had done to them.” Of course, my hope is that queer men and women will not just follow the hetero nuptials template but will find a way to make those celebrations fit who they are. I don’t think I’ll mind weddings so much that way.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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