Marriage Project, Day 3

I woke this morning thinking about this contributor’s story. I write at length about fluidity and grief and love and when I asked for stories I had no idea what I would get — if people’s stories would sound similar. No one’s does. I woke this morning thinking that marriage is like god, we assume everyone pictures the same thing when they say the words, but they don’t. Meet my guest for today’s Marriage Project:

Very soon here, us Washington girls who like girls (and those boys who like boys) will get to marry. I can’t wait to celebrate that. I can’t wait for a day of kissing and high-fives and smiles and happy tears and giddy, breathless hugging. I can’t wait for my friends and neighbors to have the right to marry their beloved. I can’t wait for my girl friends to say “Oh yes, meet my wife” and have it be a state-sanctioned statement. I can’t wait for my boy friends to get to have husbands and have the term seem so real.

I can’t wait.

But that day, a small part of me will sit, a quiet spot in the gaiety (oh, puns), a grey spot in the color. A small part of me will be in mourning. My mourning will be purely selfish, but then again, I think all mourning is. I do not have this anymore, and that makes me sad. You can drown in that kind of thinking.

Ten years ago, I loved a girl. Nine years ago, we started dating. Eight years ago, I proposed. Seven years ago, we moved in together. Six years ago, we had a commitment ceremony, despite it not being recognized by anyone but our friends and family. Five years ago, our state allowed domestic partnerships; and four years ago, we registered for ours. Three years ago, we got a dog together.

Two years ago, she left me. One year ago, she met someone else.

I’m not mourning the relationship anymore, or at least, I don’t think I am. I moved on, too, and married the greatest man I’ve ever met. But I do mourn that she and I never had that and never will have that. I feel cheated. I was with a woman for seven years, effectively married, but not legally so. And I wanted that legality, damn it. We came so close to having our turn at City Hall and telling the world “Yes, this is real,” and we fell short and that makes me sad.

So I’ll need a moment to myself, on that glorious day. There’ll be a point during the party where I’ll close my eyes and slowly count backward from ten. And with each number, I’ll get closer to the surface. I’ll let the dead rest. I’ll get over myself. I’ll rejoice for my friends and revel in equality and thank the cosmos that I found a person I love with a whole heart and who loves me back and not give a damn about our genders. I’ll thank any and all gods that he and I and she and her and he and him can love openly, and that the state supports that.

10, 9, 8, 7, 6, 5, 4, 3, 2, 1. Breathe.

Devon Kelley
Spokane, WA

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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