Mothers of boys

I haven’t known how to write about this. Several months ago, Gavin began calling me Jill rather than Mom. It coincided with his father’s remarriage and an insistence in that household of name changes all round. Given the fact that he was under pressure, and being called Jill is not a big deal to me, I didn’t mind much. When I’d ask him about it, he’d skirt the issue, and I didn’t press. Finally, after a few weeks, he said, “I gave all your mom to Kaci, and now you’re just Jill.” And I swear to you, he’d kicked me right in the belly. I said something hollow and sad, and made it to my room before I started crying.

Here is what I know:

1. The title never matters; the important thing is your relationship.
2. He didn’t intend to hurt my feelings.
3. It’s hard to share a child. And we’re better at it than the mean.
4. Parental roles are morphing. Our lingo has fallen behind.
5. I am blessed with him.

At his parent/teacher conference this morning, while his teacher gushed about his delight with the world, and his kindness, and his descriptive sentences, I had that familiar burn. He made me a mother. He did it. He restored my belief in grace and magic. My wonder. What’s in a name, after all?

5 thoughts on “Mothers of boys”

  1. When I was six or so, I took to calling my parents by their first names. They had names, after all, right? Didn’t everyone else call them as much?

    I was not a baby. I was equal. I sat on the hump in the back seat, and stuck my head in between them and their conversations. I wanted to be part of the threesome, the decisions, the team. To me, then, this meant that I use their names. I’ll be honest: it broke my mother’s heart.

    But I remember thinking that “Mom” and “Dad” didn’t mean anything. “Karen” and “Eric” — those words were like secrets. Close and powerful.

  2. The thing that finally healed me about this was Mary very calmly explaining that it is a compliment. That he is naming me as myself. That the name that could fit anyone is not specific enough.

    I’ve stumbled upon a story he has of himself. Of his life. I admire that. Even when it hurt me, I admired that he could say it. That he is strong enough now to separate himself from each of us.

    I love your story, Shelly. It’s beautiful, and comforting.

  3. Oh, I know that kind of kick in the gut. My sons do not have a stepmother, but every time I go to an open house at the elementary school, one of my children has either a drawing or a fill-in-the-blank sentence about their home/family. There have been drawings of a dad with three boys or a sentence that reads “I have four people in my family.” Then the moms I’ve known for years happen upon my child’s drawing on the wall or his little paper with the sentences, and, ugh…

    Sharing a child is indeed a challenge, but we have to remember that we are not doing things “traditionally” therefore cannot put traditional expectations or assumptions upon our children.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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