Night reads

My father usually read to us, although my mother gave us Little Women aloud on a road trip across the south when we were in grade school.  But Dad had the gift of doing voices, and reading with a coherence that always felt rehearsed.  (I mean rehearsed in the best sense, as though he’d practiced his delivery.)  The first novel he read to me was The Wind in the Willows and his Toad was magnificent.  No one will ever deliver mayhem quite so well again.

He read the Chronicles of Narnia (one of the best characters was named Jill!), and that little known beauty of Steinbeck’s The Acts of King Arthur and His Noble Knights.  He read The Secret Garden and Kidnapped and Treasure Island.  He read poetry to us, and Shakespeare.  The first time I ever heard a monologue from Hamlet, my father recited it.  He made those books alive and vibrant:  the language a breathing thing.  

Every year, my mother would re-read Jane Austen’s novels.  Her favorite, Persuasion, was regarded as a lesser novel, but my mother made a case for its being Austen’s finest work.  This was all before the Jane Austen revival in America.  Back when she was considered subordinate to the Brontes.  I cannot imagine my life without these books, and the voices of my parents reading them to me.  The finest of all their gifts was their love of stories.  

Gavin and I are not to novels yet, though I have shelves of books awaiting his interest.  Right now we are still in first readers.  But the other night I read Beatrix Potter’s The Tale of Two Bad Mice to him, and he loved it so much that he asked for two more of Potter’s mischevious stories.  Occasionally, he’ll fall asleep before we finish a book, and I’ll watch him dreaming, and wonder if he’s still inside the story.  Sleep makes him timelessly my child.  And I know now, the pleasure of reading aloud, of introducing a child to a story for the first time, the eagerness and curiosity, the delight.  To discover, again, the adventure. 

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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