Reset

She has been working up to this all afternoon.  Says now, casually, “Is your default setting happy or unhappy?”

“Happy,” I say.

“Why do you think you chose to pursue relationships with unhappy people?”  Her head is turned. Her neck a hypnotic line.

Did I? I wonder. But she is right, of course.

“Unhappy people can’t have successful relationships,” she says.  This is what she does.  Counseling.  And you see why her clients love her.  How she inspires self revelation.  “And if you choose unhappy people, people who can’t have healthy relationships, people who don’t know how, then you already know the end.  You already know that it will fail. You already know they’ll betray you.  You don’t trust them from the beginning, because you already know.”

They have told you this.  All of them.  Told you that you wrote the ending.

“What’s your default setting?” I ask her.

“Happy,” she says, and laughs.  “Contented.”

I think of my son.  Of the way he rested his head on her as we watched a movie.  The way he and I — both of us from our first interactions — feel safe with this woman.  We feel safe with this woman.

“It’s more dangerous,” she says, and props herself up on one elbow, “to trust someone, and never see it coming.  To trust, and love, and then be betrayed.”

I chose someone happy.  I chose her.  I am pierced with it.  On a Sunday afternoon.  I am pierced with this new story.  One where I am a character.  Filled with wonderment.

10 thoughts on “Reset”

  1. It’s curious of you to say that, Shelly, because that’s exactly where this conversation led me. To power. To the fact that I gave mine away at the start, each time. And that my relationships ended, always, when I resolved to take my power back. When I decided to give sufficient weight to my own interests and desires. When I unhobbled.

  2. Yes, there’s that. I was also thinking of how choosing “hobbled” relationships gives you power in, as you say, knowing how the story ends. (The point she is making, really.) Are you sure there isn’t some element, conscious or otherwise, of the bottom running the fuck there?

    But, then, control of that nature is maybe not necessarily power. Which, I suppose, is part of the point you’re making.

    To me, it creates an interesting question: Is choice always power?

  3. Is choice always power? That is an epic question, isn’t it? I’ll have to think about it. My first impulse is to say yes. Yes, absolutely. But I’m suspicious of my conviction.

    What do you think, is choice always power?

    Nikki, I think her point is that choosing unhappy people is self sabotage. And she wanted me to see that I’d made a different choice. At last.

  4. As to the bottom running the fuck, I have an argument forming in my head about that. Convergence in all directions.

    (By the way, Shelly, I read the post about the cross and your brother. It hurt me. It was so beautiful.)

  5. interesting conversation… I’ve always thought of endings to relationships when considering to begin them. I think choice is a doorway to power. Having a choice is empowering, but at the same time, one can choose whether to exert power or not. Is that power in itself? Sounds like it could turn into a chicken and the egg argument. Power can be exerted passively or agressively – so, maybe it is a mindset whether one has power or not…

  6. Yes, I was thinking how all of these things are related. Of course. Also, it’s difficult to think about a scenario where choice isn’t, at the least, some small power.

    (And, thank you. I’ve been having a hard time with coherent posts, lately. I thought that post was really a mess, but apparently in the few hours it was up people read it anyway. I’ll put it back.)

  7. I agree that choice is power. Even two poor choices. Or not choosing. Or dropping your hands mid-fight.

    You are not wholly screwed until you have no options.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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