Simple

I used to feel that I spent an inordinate amount of time writing about grief.  Particularly during the writing of Field Guide, I resisted giving the proper weight to the aunt’s death, because I didn’t want to.  I kept thinking about my mother’s comment, “Why do the mother figures in your stories always die?”

But, the truth is, I also spend a lot of time writing about joy.  About love.  About desire.

Yesterday was hard.  It was hard enough that I called my father, and poured my grief into him.  And he talked with me, and told me a poem, and said, “The simple things always before the complex.  A walk outside.  A psalm.”  And then he asked if he could do anything for me.  And minutes later he arrived to take us for dinner and a walk and ice cream and the park and basketball and he was right.  The simple things before the complex.  Family.  This is all I have ever wanted, and what I struggle with most.  Family.  A partnership without abandonment.

You see how the grief sneaks in.  Abandonment.

And so I will tell you about my love.  About the fidelity of it.  Last night, Gavin and I were shooting baskets. “You have H,” I told him, when he missed a shot.

“No, we’re playing animal basketball.”

“What kind is that?”  I asked.

“It’s like this,” he said.  “When you miss a shot, you get an animal.  I have iguana.”

10 thoughts on “Simple”

  1. It is simple, really. That’s what I miss the most since my mother died. After, my family relationships became strained and complicated. But is easier to enjoy them than it has been to be at odds. Much easier to love them than not.
    Resentment and anger and grief are such strong things. They seem to take much more energy than pleasure, and fun, and love. They use me up. I disappear.

  2. It is a disappearance, isn’t it? And later, when you remember yourself, you wonder how long you’ve been away.

  3. What I have been wondering is, what is it in us that makes loss so very painful? I used to think it was selfish, a reflex of the ego; but it’s so much more primative. Mindless. Like a hunger for everything.

    And so my favorite soothing mantra is “When in doubt, do the next small thing.” That’s like your father’s wisdom. Because it is simple. Breathe, sweat, talk, eat ice cream. Repeat.

  4. A hunger for everything. God, that’s so perfect. A hunger for the best of what is now lost, and all that will never be as well. An ache for the everyday.

    During my divorce, a buddy wrote:
    CHOP WOOD
    CARRY WATER
    with a sharpie. I kept it on my fridge for years. It is still one of the most consoling thoughts I have.

  5. abandonment… that’s always my biggest fear. Grief is a whole new odd emotion to me… I think your father and the other comments speak truth though, keep going, keep the routine, you and I will find our way back to ourselves eventually.

  6. I’m so jealous of you for having a good dad. The thought of my dad doing any of those things–asking how I am, *listening*, doing something for me–such foreign concepts. I always like to know that someone, somewhere, has it better.

  7. Saturday morning at yoga, the instructor said, “You don’t have to give up to let go.” I was ready to hear him.

  8. Kronda, as a minister, my father is sometimes a hard man to come to with my confessions, but I am never sorry when I do.

  9. I’m with Gavin. You miss something or someone, you get something. An iguana, a sweet evening with your dad. Maybe the draw to grief, the obsession with the hole, is an invitation to create a space for something else.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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