The modesty scale

One of the funniest questions I have ever been asked, dressed in a tiny hospital gown as the nurses induced me for labor, having just had a stranger’s fingers in my vagina for the second time that hour, went something like this, “Where would you say you fall on the modesty scale?”

I have been thinking this week about shame, about a story I am ashamed to tell. And I’ve decided to tell it precisely because I’m uncomfortable. Because shame is one of those heavy, sharp rocks I’m just not interested in hauling uphill any longer. So, I’m going to tell you about my surgery. It involves many of my least favorite words. Polyps. Mass. Rectum. Reconstruction. OK, actually I’m a fan of reconstruction, but the rest of those words blow.

I am 28, and have been sick for three years. I’ve had a number of procedures, and each has discovered bleeding and ulcerations and unhappy organs. I’m vegan, scrawny, and have not had a drink of alcohol in more than a year. They discover the mass during a colonoscopy.  Three weeks later, I wake, still groggy from the anesthesia, and call out when I hear motion beside me. “I know I’ve asked before,” I say, my voice breaking, “but I can’t remember what you answered. Did they have to go in from the front, or did they go in from the back?” This is important if your rectum is being reconstructed, because a frontal surgery means a visible scar, and a higher chance of infection, and a much longer recovery.

A nurse leans over me, so that I can see her, and rests her hand on my shoulder, and says, kindly, “It’s OK. They went in from the back. And it went well. And you’re OK.”

I’m not, of course. I won’t be for a long time. Although the doctors promised a 6-week recovery, I am not strong enough to sit longer than an hour for nearly two months. It will be longer still before I can take the dogs for short walks. Alone, so no one will see me crying. I think my body is a traitor. The mass was pre-cancerous, and I was lucky that they found it, but my body is a traitor. And I hate all of you for your health. For your strength. For the prodigal way you lounge, and drink wine, and travel. What if this is my life? I miss yogurt. I miss bike rides. I miss European bakeries. I miss vigor. My youth. What the fuck happened to my youth?

I feel poisoned. I wish I believed in god so that I could curse him. I am so angry.

I bleed from places no one should ever bleed. And every other week, for months, I will return to my doctor’s office, and be placed in a machine that inverts me, and have my elasticity checked. My elasticity.

I don’t fall on the modesty scale. I don’t. Our bodies are frail and imperfect and miraculous. My broken one would have a child 11 months after the darkest, most frightening time I have ever known. My child. The one I carried despite every prognosis. The one who clung to me, nursed, and slept, and nurtured. The antidote. The blessing.

9 thoughts on “The modesty scale”

  1. I’ve never thought about modesty and shame being connected. This made me wonder if maybe they are, if maybe there isn’t something twisted about modesty itself.

    I think of the body as an intensely private thing, but it’s not at all, is it?

    Thank you for this.

  2. Modesty is a hard hard concept for me, and partly that’s because it’s inextricably linked with puritanical tradition, and partly it’s because I had to redefine my attitude toward the sacred when it came to my body. And the conclusion I developed is the one I gave Jane: Oh, how we unravel and gleam.

  3. I felt like I could’ve written so much of what you wrote here. Maybe not with the same eloquence(that’s a word, right?) but nevertheless I have felt so much of what you felt. My body betrayed me, and doctors were clueless(as you wrote in your post “Health” I think it was called) and although I was a “healthy vegetarian” I wasn’t healthy at all. Finally, after several surgeries and then going through IVF(not to mention I had a PHOBIA, not fear, but full-on PHOBIA of needles -I stopped counting at my 158th needle….4 in the stomach and 1 in the back for MONTHS) I got pregnant and now have a son. The body works in mysterious ways. Sometimes that mystery can be debilitating physically and/or mentally, and sometimes that mystery can bring on a miracle, and that miracle is my son. Thank you for sharing, and for letting your modesty fly out the window.

  4. The thing I was worried most about, when mentally prepping myself to go into labor, was strangers with their fingers in my vagina. I am not kidding! I didn’t worry about being naked (I didn’t want to be naked – too much body shame from growing up Catholic), I didn’t worry about strangers in my room (I had a birth plan expressly forbidding interns in the room with me), I didn’t worry about the strength of my body or how long it would take or whether or not there would be interventions. I worried about strangers sticking their fingers in my vagina.

    Thank you for sharing. It’s so hard to share the thing we are most afraid of sharing – the thing that we are afraid that if people know, they won’t love us anymore. I still love you.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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