This story has feet

G and I have a cast of characters we feature in hand-made stories when we go for long walks, on car trips, over breakfast. If there’s space and time, we make stories. His are stream-of-consciousness and feature a lot of clever, deeply random jokes. Mine are plot-rich and usually get hijacked during the climactic battle. (“I’ll take it from here!”)

Most of the time, everyone dies.

For years, George the Bunny, a savage pink rabbit who eats anything and everything, including the earth in a particularly thrilling episode, was the go-to character. But in recent months, we’ve created Ramona, a small and daring mouse who fights Evil with her sidekick, Cricket (a cricket, yes, as well as a master of kung fu).

Several weeks ago, I got us lost on a walk, and in my frustration, looking for landmarks, I zoned out of the story he was telling. Ramona and Cricket had been taken hostage in Paris and they were being held separately in canvas bags. That was the last I heard as I tried to figure out how the river had ended up on the wrong side of our trail.

It is intensely irritating to see a familiar rock and be reminded that not only are you going the wrong way, but that you have gone the wrong way before, and I felt quite like kicking said rock when I heard Gavin say, “And then the pirate told her, ‘You’re too young to fight evil; you’re only a child.’ And Ramona replied, “I’m 34!” in an exasperated way and –”

“Ramona’s 34?” I asked. My anxiety at being lost struck completely out of me by this astonishing news of a mouse nearly my own age. It was one of those moments where the character you had imagined, the character you had told countless stories about happened to be completely different from the one you’d envisioned. A small, daring mouse fighting Evil with her sword and her kung-fu Cricket sidekick, yes. A small, daring mouse living to be 34, I think not. Definitely not. It’s just not at all believable.

Gavin stopped and looked up at me, and then nodded. “‘I’m 34!’ Ramona said again, surprising even the narrator.”

Surprising even the narrator.

This happened two weeks ago and I can’t stop thinking about his brilliant transition. I’d forgotten that stories can do anything. I’d forgotten. That’s why they feel like magic.

I stood there for a moment and realized the river on my left meant the bridge was also on my left and I chose the path to take us that direction. I hadn’t been lost at all.

These last months, I frequently feel like a surprised narrator. How did I not recognize this fact before? she asks herself.

But it would be odd if I didn’t feel startled. We’re telling the story from our vantage, and it shifts when we do. There is nothing but hope in that realization. We might be anything. At any moment. Surprising even the narrator.

4 thoughts on “This story has feet”

  1. You two are just crazy special. Imagine a storyteller parent to bring out the storyteller child. And vice versa. You know, your prose is never quite as bright as when you’re writing about Gavin.

    It is magic. And beautiful. And I love reading it.

  2. You know, it’s curious; I’ve been trying to figure out if there’s much point in continuing to write, but I happen to be reading Ann Patchett’s latest, This Is the Story of a Happy Marriage, and I feel reinvigorated. The only thing worse than writing is not writing.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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