Tomboy

I hate the word tomboy. It lands on me like a blow. Sometimes I actually flinch. You’re so determined to tell me I’m not a girl that you have come up with a word that literally means male boy. You are redundantly doubling down on my absence of girl.

I fucking hate it. In that single word I see every old lady chasing me out of bathrooms since I turned six.

My wife loves the word tomboy. Today, in a swirly dress that hung down to her boot heels, she told me, “I am a tomboy! In my heart.” For her it’s a kind of rebellion against perception. She will climb a tree in a dress. She will put on makeup to go outside and fix the scooter.

She says the word with such pride that I sometimes find myself softening to it.

In my vocabulary, I’ve replaced tomboy with rough and tumble. My granddaughter is rough and tumble. She will launch at you in her adorable summer dress like a goddamned tsunami.

Tomboy holds so many of the difficulties and contradictions of my work to be out. To be comfortable shaving my head and dressing like my grandfather. To walk into the women’s bathroom casually singing to put every woman in there at ease. To save me having to assert who I am to strangers.

“Oh,” the woman said, appraising me at 7, “you’re the one who doesn’t like pink.”

Not anymore, man. Now I’m as comfortable with pink as I am with a wife who is tougher than I am.

Sometimes a word gets tied up with all your shame. With what it has cost to be the you that is most essential. I’ve given that word too much credit. It’s not as heavy as it used to be.

2 thoughts on “Tomboy”

  1. I’ve always loved it. Except the idea that it’s something you’re supposed to grow out of. It’s a phase.

    Tomboy for life.

  2. “Sometimes a word gets tied up with all your shame.” This sentence struck me hard. The judgement of others burdens us with a lifetime of shame of which we have nothing to do with. These ideas are the restrictions of others but we take on this onerous burden as if it is our due. This is because women have always been conditioned to regarded themselves as inferior, and even (without saying so out loud) mentally deficient and lacking in the ability to make decisions for ourselves.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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