Unlabeled

Researchers did a ten-year longitudinal study of female bisexuality at the University of Utah, and one of the most interesting things they discovered is that women tend to date men if they are most often around men, or women if they are most often around women.

This made me think about camping with the survivalist. I had just turned 21, and was heartsick. I never wanted to speak to a woman again. In fact, if one tried to flirt with me, I went catatonic. I had absolutely no intention of having sex with anybody ever again. Particularly not women. So I went camping with the survivalist. It was like a sortie. We spent two days using his financial aid to buy gear from several different stores; he kept telling me I needed a Therm-a-Rest and a rain jacket and a bunch of other shit. But I didn’t even take a change of clothes. I used the sleeping bag I’d had since junior high and brought a huge packing roll of bubble wrap as ground cushion. We stowed it all in his Jeep and went to the Air Force survival training mountain. I ate ants. He showed me how to crush their heads first so they wouldn’t bite back. And we hiked around whacking stuff with sticks.  It was like being ten. He didn’t even try to touch me.

And when he told me his impression of that camping trip (after I’d returned from Europe and suddenly remembered that I love sex) he said I’d been high voltage. I avoided women because I couldn’t bear to think about touching one. I just wanted static. I cut everything familiar out of myself, and then practiced something else. It was a method of healing. I needed men to get back to women. Except I didn’t want women. They were endlessly heartbreaking. Only I did want them.  Heartbreak beats the cold every time. Until it feels like infection, and then I’ll hack off the gangrene. Ping. Pong. Ping. Pong.

My personal longitudinal study also spanned a decade: from a sortie camping trip to leaving my husband. I didn’t have a serious girlfriend during that period of time, and that may have a lot to do with why I considered myself bisexual then. Boys never broke my heart. They never got to me the way girls did. Maybe it’s reductive to define sexuality by the aftermath of relationships. But at some point, I stopped avoiding women to avoid injury, and started avoiding injurious women instead.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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