Virtually

Maybe we live faster now. A kind of hysteria of busy work where we have to be more deliberate about our lives. We have to remind ourselves to eat together at the table, food we have cooked rather than microwaved, no electronic devices. Meals where savor is the word — for food and conversation.

Maybe we walk to remember how to pace ourselves. Through the neighborhoods where the dogs check out the same places as before just in case, and the cats regard us without bothering to turn their heads.

Some of my favorite people I’ve met virtually first. The woman who made paper flowers for our wedding. The woman who read my manuscript and gave me feedback. I didn’t know them yet when they offered to help. We have stimuli flooding us from every direction but that doesn’t mean we’re at its mercy. Virtual life is another place to form relationships with heft if that’s what we want from our relationships.

Heft. Dimension.

At our wedding, my friend handed us a painting she had made. It was so stunning that I couldn’t speak. So perfect. Last month we went to her art show and I got to see another aspect of her brain. How complex the story of her art is.

In New Orleans this May, I finally met the woman I’ve been corresponding with for five years. It isn’t true that our lives now have no roots. We have to be conscious of them. Conscious. Deliberate. We have to tend them. We have not made the world tidier, but we’ve made it more immediate. Instantaneous. Unless you’re talking about a conversation around the table late into the night where the men behind you have hunkered together to sing like heartbroken sailors. Or paintings. Or notes of solidarity emailed through the dark to you. You in particular.

4 thoughts on “Virtually”

  1. You would make my life a lot easier is you would just install a ‘like’ button on your blog.

    (See what I did there? With the irony? Heh.)

      1. Was that for me? You giveth and you taketh away, Jill Malone. I can’t stop thinking about ‘actually.’ And now I think my dialogue is weird and unnatural.

        Some day you’re going to read it and be all, “Dude. You need some adverbs.”

        1. Adverbs are lovely. Unless they become this weird redundant tic like Neil Gaiman’s adverbs in Neverwhere.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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