Vow

I saw the president’s speech before I’d read anything about Connecticut. We had just come back to the hotel to rest before dinner. I sobbed through his speech and then sobbed harder when I read the various, disparate, and sometimes inaccurate reports of the shooting. It is hard, sometimes, to love in spite of everything. To be joyful into the dark. To celebrate when there is so much suffering.

Children and their teachers dead in classrooms.

And today, I’m getting married. At a place called the Sanctuary, in Seattle. And my joy will be that much more fierce because my sorrow is so intense. We love, sometimes, into the dark. And into the light. We love cleanly, and poorly. We love because we must. We must love. The alternative is worse.

Here are my vows, brothers and sisters. Combined here with tragedy because that is what we bring to the world. Love even when you’re weary. Love. Love one another.

Mary, I think I’ve always loved you in this childlike way. You’re the lighted window — the way I know I’m nearly home. I love that you don’t remember meeting me. Like it’s this secret glimpse I got into a future I had to earn. I feel like my skills were honed so I’d be part of your family. That I play so hard because you deserve joy. And I know more words now. I don’t have to rely on metaphors with you. I used to dream of a wife, but I couldn’t be her. The foodie, the hearth, the tender, the woman who makes the house glow. The first time you made me risotto, I held the bowl like it was my fortune. Maybe I knew it was our dowry. And that I would be the other half — laughing and resilient. That I would remind you that you have a body — the most comforting place I have ever been. And that I will work all of my life to protect and nourish you. To make our family the center of all decisions, of all endeavors. I promise to love you with the best and the worst of me. In fire and drought. I promise to fail you and better my self. I promise to learn and never be finished. I promise, Mary. I promise myself. The shiny and the disastrous. I am yours. I have been yours. I will be yours. You are where I live.

2 thoughts on “Vow”

  1. “You are the lighted window.” Oh so lovely.

    And tragedy can be a blessing as much as love. I think we have to see that, too.

    I have wanted to send you something, a thing that would say how happy I am for you both. For your family. And I don’t know what that is, except my joyful congratulations. It’s a rare thing to find your home.

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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