War Torn

I went through a Holocaust period in adolescence. I read plays on the Holocaust, survivors’ accounts, novels, historical treatises, anything I could find. And ultimately, in eighth grade, I wrote a short story about a reluctant soldier who is assigned to a concentration camp, and his conflicted descent into brutality. My teacher entered the story in the Holocaust competition at Brookdale Community College, and it won for my age group. I have never read it again. But I remember writing it, and the rage it took to brutalize another human being on paper. I have wondered if the adults who read that story worried for me.

We lived in Mainz, Germany when I was a kid. My parents took my brother and me to Dachau when I was four or five. Here’s what I remember: the fence is made of iron in the shape of twisted bodies; the museum had a photograph of an old woman that I couldn’t stop looking at — she may have been naked because all I remember are her ribs and her drowning eyes. The ovens smelled of barn. We saw them. The ovens. We stood there and I asked why they were outside, and my mother told me. She explained why. And because I was a child, I kept asking. They put people into the ovens? They put people into them?

I think Suzanne Collins’ Mockingjay is one of the most important books ever written. Her Hunger Games series, in the Post-9/11, soldiers raping children with machetes, Abu Ghraib, war tribunal world, tackles the warrior’s tale in unprecedented ways. It’s marketed for teens, but this is a series we should all read and discuss. Because the savage is barely contained much of the time. Because anger sets the world alight. Because our memories are faulty, and we want to believe these things can’t happen. Not here, not to us. But they’ve never stopped happening to someone somewhere. There can be no progress without memory.

4 thoughts on “War Torn”

  1. As a result of your first recommendation (a few weeks ago?) I’ve started reading The Hunger Games. I’m enjoying it hugely. Thank you.

  2. “Because the savage is barely contained much of the time. Because anger sets the world alight. Because our memories are faulty, and we want to believe these things can’t happen. Not here, not to us. But they’ve never stopped happening to someone somewhere. There can be no progress without memory.”

    Yes!

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Jill Malone

Jill Malone grew up in a military family, went to German kindergarten, and lived across from a bakery that made gummi bears the size of mice. She has lived on the East Coast and in Hawaii, and for the last seventeen years in Spokane with her son, two dogs, a hedgehog, and a lot of outdoor gear. She looks for any excuse to play guitar. Jill is married to a performance artist and addiction counselor who makes the best risotto on the planet.

Giraffe People is her third novel. Her first novel, Red Audrey and the Roping, was a Lambda finalist and won the third annual Bywater Prize for Fiction. A Field Guide to Deception, her second novel, was a finalist for the Ferro-Grumley, and won the Lambda Literary Award and the Great Northwest Book Festival.

Giraffe People

Giraffe People

Between God and the army, fifteen-year-old Cole Peters has more than enough to rebel against. But this Chaplain’s daughter isn’t resorting to drugs or craziness. Truth to tell, she’s content with her soccer team and her band and her white bread boyfriend.

And then, of course, there’s Meghan.

Meghan is eighteen years old and preparing for entry into West Point. For this she has sponsors: Cole’s parents. They’re delighted their daughter is finally looking up to someone. Someone who can tutor her and be a friend.

But one night that relationship changes and Cole’s world flips.

Giraffe People is a potent reminder of the rites of passage and passion that we all endure on our road to growing up and growing strong. Award-winning author Jill Malone tells a story of coming out and coming of age, giving us a take that is both subtle and fresh.

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A Field Guide to Deception

A Field Guide to Deception

In Jill Malone’s second novel, A Field Guide to Deception, nothing is as simple as it appears: community, notions of motherhood, the nature of goodness, nor even compelling love. Revelations are punctured and then revisited with deeper insight, alliances shift, and heroes turn anti-hero—and vice versa.

With her aunt’s death Claire Bernard loses her best companion, her livelihood, and her son’s co-parent. Malone’s smart, intriguing writing beguiles the reader into this taut, compelling story of a makeshift family and the reawakening of a past they’d hoped to outrun. Claire’s journey is the unifying tension in this book of layered and shifting alliances.

A Field Guide to Deception is a serious novel filled with snappy dialogue, quick-moving and funny incidents, compelling characterizations, mysterious plot twists, and an unexpected climax. It is a rich, complex tale for literary readers.

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Red Audrey and the Roping

Red Audrey and the Roping

Occasionally a debut novel comes along that rocks its readers back on their heels. Red Audrey and the Roping is one of that rare and remarkable breed. With storytelling as accomplished as successful literary novelists like Margaret Atwood and Sarah Waters, Jill Malone takes us on a journey through the heart of Latin professor Jane Elliot.

Set against the dramatic landscapes and seascapes of Hawaii, this is the deeply moving story of a young woman traumatized by her mother’s death. Scarred by guilt, she struggles to find the nerve to let love into her life again. Afraid to love herself or anyone else, Jane falls in love with risk, pitting herself against the world with dogged, destructive courage. But finally she reaches a point where there is only one danger left worth facing. The sole remaining question for Jane is whether she is willing to accept her history, embrace her damage, and take a chance on love.

As well as a gripping and emotional story, Red Audrey and the Roping is a remarkable literary achievement. The breathtaking prose evokes setting, characters, and relationships with equal grace. The dialogue sparks and sparkles. Splintered fragments of narrative come together to form a seamless suspenseful story that flows effortlessly to its dramatic conclusion.

Winner of the Bywater Prize for Fiction, Red Audrey and the Roping is one of the most memorable first novels you will ever read.

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